The patronym Razel belongs to that category of modern Jewish names whose singularity derives from both their rarity and their semantic transparency. Far from the great Séfarade or Ashkénaze family names inherited from the Middle Ages and shaped by centuries of migrations, Razel belongs to a more recent stratum — that of contemporary Hebrew patronyms, formed or reclaimed in the wake of the renaissance of the Hebrew language and the Zionist venture. Wikidata registers it, moreover, as a patronym whose language of origin is Hebrew, which establishes its fundamental linguistic framework.
The very structure of the name invites us to connect it to an ancient and profoundly mystical Hebrew root. One interpretation proposes that "Razel" derives from the Hebrew word "רזיאל" (Raziel), meaning "Secret of God." This filiation, if confirmed, would inscribe the patronym within the universe of Kabbalah and Jewish angelology, the full significance of which we shall measure. But the name must also be studied as a social and geographical fact: it is very rarely found, and it is likely that this uncommon surname, having become a patronym, was originally given to a single person, such that all bearers of this family name are almost certainly distant cousins.
This work therefore aims to traverse, with the historian's care, the different strata that compose the Memory of the Razel lineage: the sacred etymology, the contemporary embodiment of the name in a family of musicians who have become emblematic in Israel, and the questions of transmission raised by so rare a patronym. Where the archive falls silent, we shall say so; where tradition speaks, we shall report it as such.
To understand the surname Razel, one must first trace it back to the Hebrew linguistic matrix that governs its meaning. The name can be broken down into two elements of great clarity for anyone familiar with Hebrew: the root raz (רז), meaning secret or mystery, and the theophoric suffix -el (אל), referring to God. This name is a combination of two Hebrew words: "raz" (to conceal, a mystery, a secret) and "ʾĒl" (God), meaning "secrets of God."
This construction is not an isolated curiosity but is rooted in a major figure of Jewish mysticism. Raziel (in Hebrew רָזִיאֵל Rāzīʾēl, "God is my Mystery"), also known by the name Gallitsur, is an angel from the teachings of Jewish mysticism — the Kabbalah of Judaism — who is the "Angel of Secrets" and the "Angel of Mysteries." Tradition associates this angel with considerable esoteric knowledge: Raziel is also the name of an angel in Jewish mysticism, said to be the guardian of secrets and divine knowledge; the name has evolved over time, with variants such as Raziela, Raziella, Razil, Razilee, Razili, and Razina.
This last observation is precious for the historian of names. It shows that Raziel gave rise to an entire family of derived forms, masculine and feminine, of which Razel may be read as a condensed variant. The spiritual meaning remains constant: Raziel is a deeply spiritually charged Hebrew name, which translates as "the secret of God." It should also be noted that, in angelology, Raziel is one of the seven archangels, an archangel associated with secrets, knowledge, and divine wisdom.
One must nonetheless exercise measured caution. While the derivation from Raziel is the most frequently cited etymological hypothesis and the most morphologically coherent, it remains an interpretation. The name "Razel" has its roots in several linguistic and cultural traditions; only one interpretation proposes that it derives from the Hebrew word "רזיאל" (Raziel). The historian will therefore note that the sacred meaning of the name — the "Secret of God" — is solidly established on the lexical level, without it being possible to determine with certainty the exact path that led from Kabbalistic angelology to the modern surname.
One of the most striking characteristics of the name Razel is its rarity. Where other Jewish surnames count thousands of bearers dispersed across several continents, Razel remains marginal in genealogical databases. Surname directories emphasize this trait: it is a very uncommon name.
This rarity carries a major methodological consequence for genealogy. It is likely that this rare nickname, having become a surname, was originally given to a single person; in other words, all bearers of this family name are almost certainly distant cousins. This hypothesis of the "single ancestor" is common for names of very low frequency: it suggests that the Razel lineage could, in theory, be traced back to a single common origin, whose subsequent diffusion was limited by the very rarity of the name.
In the particular case of modern Hebrew surnames, several formation scenarios are conceivable and must be presented as hypotheses, not as certainties. The first would be that of Hebraization: like many Jewish families who adopted or transformed their name during the twentieth century, particularly at the time of settlement in the land of Israel, a prior name could have been replaced by a Hebrew form laden with meaning, here drawn from the root raz. The second scenario, compatible with the genealogical documentation cited, would be that of a nickname becoming hereditary from a given individual.
The transmission of given names and surnames plays an essential role of identity in the Jewish world. As onomastic tradition recalls, in the religious domain, it is only given names that define identity and genealogy, so that when a child is born, if it is a boy, he is named for the first time at the circumcision ceremony by his Jewish given name, followed by "son of…". This primacy of lineage explains why a name with such strong spiritual resonance as Razel could have been carefully preserved and transmitted by a lineage mindful of its heritage. In the absence of widely accessible public archives on the earliest generations, caution is warranted: we confine ourselves here to what the directories establish — the rarity of the name and the probable distant consanguinity of its bearers.
It is in the twentieth and twenty-first centuries that the name Razel acquires remarkable public visibility, through a family that has become one of the most celebrated in the world of Jewish religious music in Israel. This family, of American origin, put down roots in Israel and produced several leading musicians there. The Razel — Yonatan, Aaron, Rika and Yehuda — form a family of musicians almost as famous in Israel as the legendary Banai; Yonatan and Aaron were born in America.
At the head of this lineage stand the parents, whose American academic journey preceded their settlement in Israel. Their parents, Micha and Carol, met during their time at university, there. The father, Professor Micha Razel, is thus presented as the origin of a home in which music held a central and structuring place. According to a family account, Professor Micha Razel believed that music is many things, and that his wife possessed a very rich musical world.
This domestic environment profoundly shaped the children's upbringing. In the Razel household, there was always music: throughout the day, the children practised piano, violin, flute, drums and cello. This musical intensity earned the family a revealing nickname in religious circles: they were not called the "Jackson family" of the religious world for nothing.
Among the children, the trajectory of Yonatan Razel is one of the best documented. Yonatan Razel was born in New York and moved to Israel at a young age with his family. His place within the sibling group and the extended family is precisely attested: Razel is the brother of musicians Aaron Razel and Ricka Van Leeuwen, and the cousin of violinist Nitzan Chen Razel. His musical training was early and demanding: as a child, he learned to play the piano and cello, and studied conducting with Mendi Rodan.
This family thus offers the historian an exemplary case: a rare and meaning-laden surname, carried by a transatlantic migration from the United States to Israel, and transformed, in one or two generations, into a genuine artistic hallmark. The resonance between the meaning of the name — the "secret," the divine mystery — and the deeply spiritual orientation of the music produced by the Razel constitutes a striking convergence, to which we shall return.
In the case of Razel, there exists a singular correspondence between the etymology of the surname and the vocation of those who bear it within the Israeli family. The name evokes sacred mystery, the "Secret of God"; and yet the musical work of the Razel family is explicitly rooted in a pursuit of Jewish spirituality. This convergence, which we classify at the "intersection" of Memory and History, merits careful examination: it is suggestive, but it belongs more to symbolic reading than to documentary demonstration.
Sources readily associate the work of Yonatan Razel with the very notion of secrecy, playing on the resonance between the name and the music. The theme of "secrets" is thus linked to his journey, as indicated by the title of a portrait dedicated to him, evoking the secrets of Yonatan Razel, and by the fact that the Razel family — Yonatan, Aaron, Rika and Yehuda — constitutes a family of musicians nearly as celebrated in Israel as the legendary Banai. This repeated juxtaposition of name and mystery is not without significance: it reveals how a surname can, within a culture, become the vehicle of a lived meaning, beyond its simple lexical origin.
On strictly etymological grounds, the foundation remains what we have established: the combination of "raz" (a mystery, a secret) and "ʾĒl" (God), meaning "secrets of God." The historian must here resist the temptation to over-interpret. That religious musicians bearing this name have devoted their art to the expression of a spiritual interiority is a fact; that this choice flows directly from the meaning of their surname is conjecture. The two phenomena — the meaning of the name and the vocation of its bearers — coexist and speak to one another, but nothing in the archives consulted permits us to assert a causal relationship.
This chapter nonetheless illustrates a broader truth in the history of Jewish names: a surname is never a mere administrative marker. In the context of the Hebrew revival, it can become program, heritage, and claimed identity. The name Razel, by virtue of its exceptional semantic transparency, lends itself more than most to this symbolic reappropriation, and the family that bears it today offers a living illustration of this.
The final section of this inquiry concerns the contours of the name: its variants, its neighboring forms, and the limits beyond which speculation must not venture. As we have seen, the root Raziel has produced a constellation of forms. The name evolved over time, with variants such as Raziela, Raziella, Razil, Razilee, Razili, and Razina. Razel fits within this morphological family, as an abbreviated form stabilized into a surname, where other derivatives remained given names.
Within the contemporary Israeli family, the name extends into a broader kinship network that reaches beyond a single set of siblings. The presence of a cousin, violinist Nitzan Chen Razel, cousin of Yonatan Razel, attests to the spread of the name across several branches of the same family — a spread which, given the general rarity of the surname, supports the hypothesis that these branches trace back to a common stock.
One final and clear boundary must be drawn for the honest historian. Genealogical directories warn that the rarity of the name makes any reconstruction hazardous without archival records: they explicitly invite the use of cartographic resources to verify and identify the geographical origin of this name. In the absence of a systematic review of civil registry records, communal registers, or immigration lists accessible within the scope of this study, we shall refrain from asserting any precise geographical origin — whether Ashkenaze from Eastern Europe, or tied to another area of the diaspora. The only anchor documented with certainty is the passage through the United States before the family's settlement in Israel — Yonatan Razel having been born in New York before moving to Israel at a young age with his family.
Thus, the boundaries of the name define an object that is at once precise in its meaning — divine mystery — and indistinct in its genealogical prehistory. This tension between semantic clarity and documentary obscurity is the hallmark of rare surnames, and it demands the prudence that this Great Book has endeavored never to forsake.
At the end of this journey, the Razel lineage emerges as an exemplary object of study for the history of modern Jewish names. Three certainties arise from it. First, the meaning of the name: whether it derives directly from the angel Raziel or more broadly from the root raz, it signifies the "Secret of God," anchoring the patronym in the universe of Jewish mysticism and kabbalah. Next, its rarity: Razel is a very uncommon name, whose bearers are in all likelihood all related to a distant common stock. Finally, its contemporary embodiment: the Razel family of Israel, descended from a migration from the United States, has made this name an emblem of spiritual Jewish music, to the point of being compared to the greatest artistic dynasties in the country.
There remain, by contrast, genuine areas of shadow that historical honesty compels us to acknowledge. The name's original geographical provenance, the precise moment of its fixation as a patronym, and the exact path connecting kabbalistic angelology to the family name all remain undetermined given the sources consulted. The compelling correspondence between the meaning of the name and the musical and spiritual vocation of its bearers belongs to symbolic interpretation rather than to proof. The Great Book of the Razels thus closes on a lineage whose significance is lucid, whose illustration is brilliant, but whose deep genealogical roots still await the archive that will reveal them.
